Publications

Spanierman Publications

Books and Exhibition Catalogues

  • "Biography," in Alice Baber: Reverse Infinity. Exh. cat. New York: Berry Campbell, 2024.
  • "'Sensual Delectation' and Phenomenology in Dan Christensen's Calligraphic Stains & Scrapes, 1977 to 1984," in Dan Christensen: Calligraphic Stains & Scrapes (Paintings from 1977 to 1984). Exh. cat. New York: Berry Campbell, 2024.
  • "Gene Hedge (1928–2007)," in Gene Hedge: The Pattern of Nature. Exh. cat. New York: Lincoln Glenn, 2023). (view pdf)
  • "The Ongoing Story of the Armory Show (1913)," in Artists of the 1913 Armory Show. Exh. cat. New York: Graham Shay 1857 and Lincoln Glenn, 2023). (view pdf)
  • "The Early Career of Yvonne Thomas and the Complexed Squares Series (1963–1973)," in Yvonne Thomas: Complexed Squares. Exh. cat. Berry Campbell, 2023. (view pdf)
  • Susan Vecsey: Day and Night. Exh. cat. New York: Berry Campbell, 2023. (view pdf)
  • Yvonne Pickering Carter: Linear Variation Series. Exh. cat. New York: Berry Campbell, 2023.
  • Lynne Drexler: Nature Sparked. Brochure. Art Basel, Miami Beach. New York: Berry Campbell, 2022.
  • “Sherron Francis: A Color Field Artist Rediscovered,” in Sherron Francis: A Retrospective. Exh. cat. Larchmont, N.Y.: Lincoln Glenn, 2022. (view pdf)
  • Dan Christensen: The Harmonious Turbulence of the Universe—Spray Paintings, 1988–94. Exh. cat. New York: Berry Campbell Gallery, 2022.
  • Life and Art: The Greenwich Paintings of John Henry Twachtman. Exh. cat. Greenwich Historical Society, 2021.
  • John Henry Twachtman Catalogue Raisonné. Greenwich, Conn.: Greenwich Historical Society, 2021 (jhtwachtman.org).
  • “Thomas Sills,” in Thomas Sills Man of Color. Exh. cat. Greenville, S.C.: Greenville County Museum of Art, 2021.
  • Edward Zutrau: Mandarin (Paintings from the 1950s). Exh. cat. New York: Berry Campbell Gallery, 2021.
  • An Adventurous Spirit: Julian Alden Weir. Exh. cat. New York: Debra Force Fine Art, 2021. (view pdf)
  • Stanley Boxer: The Ribbon Paintings (1971–1976). New York: Berry Campbell Gallery, 2021.
  • Anne Goldthwaite: Modern Woman. Exh. cat. Greenville, S.C.: Greenville County Museum of Art, 2020.
  • Ida Kohlmeyer: Cloistered (1968–1969). Exh. cat. New York: Berry Campbell Gallery, 2020.
  • Edward Avedisian: Reverberations. Exh. cat. New York: Berry Campbell Gallery, 2020.
  • Ann Purcell: Kali Poem Series. Exh. cat. New York: Berry Campbell Gallery, 2020.
  • Frank Wimberley. Exh. cat. New York: Berry Campbell Gallery, 2019.
  • Yvonne Thomas: Windows and Variations. Exh. cat. New York: Berry Campbell Gallery, 2019. (view pdf)
  • Pushing Off from Shore: Stephen Scott Young’s Regatta Series. Exh. cat. Greenville County Museum of Art, on hold.
  • John Opper: Paintings from the 1960s and 1970s. Exh. cat. New York: Berry Campbell Gallery, 2018.
  • Jill Nathanson: Cadence. Exh. cat. New York: Berry Campbell Gallery, 2018.
  • Perle Fine: The Prescience Series. Exh. cat. New York: Berry Campbell Gallery, 2017.
  • Judith Godwin. Exh. cat. New York: Berry Campbell Gallery, 2017.
  • Daniel Sprick. Exh. cat. New York: Gerald Peters Gallery and Peter Marcelle Projects, 2016.
  • William Perehudoff. Exh. cat. New York: Berry Campbell Gallery, 2016.
  • Stanley Boxer. Exh. cat. Berry Campbell Gallery, 2016.
  • The Portrait Collection of New-York Presbyterian—Weill Cornell Medical Center . New York: Weill Cornell Medical Center, 2015.
  • “All the Paintable Things in Europe”: Payne’s European Art and Travels (1922–24, 1928),” in Scott A. Shields and Patricia Trenton, Edgar Payne: The Scenic Journey. Pasadena, Calif.: Pasadena Museum of California Art, 2012.
  • Edith Prellwitz & Henry Prellwitz: Painters of the Peconic. New York: Spanierman Gallery, 2012. (view pdf)
  • Annie Gooding Sykes: Watercolorist. New York: Spanierman Gallery, 2012. (view pdf)
  • Arthur B. Davies: Painter, Poet, Romancer & Mystic. New York: Spanierman Gallery, 2012. (view pdf)
  • “The Watercolors of Sears Gallagher: Nature in a Placid Mood,” in Coastline and Countryside: Watercolors of Maine and New Hampshire by Sears Gallagher.   Spanierman Gallery, online catalogue, 2012. (view pdf)
  • Coast and Countryside: American Art of the Nineteenth- and Early Twentieth Century. Pensacola, Fla.: Pensacola Museum of Art, 2008.
  • “John Twachtman’s Bridge across the Ohio River at Cincinnati,” in Lines of Discovery: 225 Years of American Drawings. Columbus, Ga.: The Columbus Museum of Art, 2006, 66-67.
  • John Twachtman: A “Painters’ Painter.” New York: Spanierman Gallery, 2006.
  • “John Henry Twachtman (1853–1902), Old Orchard, ca. 1880-81,” in The Sewell C.Biggs Collection of American Art: A Catalogue. Vol. 11. Dover, Del.: Biggs Museum of American Art, 2002, 35859.
  • John Henry Twachtman: An American Impressionist. Atlanta, Ga.: High Museum of Art in association with Hudson Hills Press, 1999.
  • “John Twachtman’s Niagara in Winter, ca. 1893–1894,” in New Britain Museum of American Art: Highlights of the Collection: Volume I. New Britain, Conn.: New Britain Museum of American Art in association with Prestel, 1999, 162-63.
  • Visions of Home: American Impressionist Images of Suburban Leisure and Country Comfort. Carlisle, Pa.: Dickinson College, 1997.
  • James McNeill Whistler. New York: Smithmark, 1996.
  • A Personal Gathering: Paintings and Sculpture from the Collection of William I. Koch. Wichita, Kans.: Wichita Art Museum, 1996.
  • John Twachtman (1853–1902) and the American Scene in the Late Nineteenth Century: The Frontier within the Terrain of the Familiar, Ph.D. Diss. City University of New York, 1995. Ann Arbor, Mich.: University Microfilms International, 1996.
  • Masterpieces of American Impressionism (New York: Hugh Lauter Levin, 1991). Distributed by Macmillan Press.
  • “Twachtman’s Greenwich Paintings: Context and Chronology,” in Deborah Chotner, Lisa N. Peters, and Kathleen Pyne. John Twachtman: Connecticut Landscapes. Washington, D.C.: National Gallery of Art, 1989, 13–47.

Articles and Essays

  • "Missouri Remembers: Artists in Missouri through 1951," in ARLIS/NA Multimedia & Technology Reviews. Art Libraries Society of North America (September 2023).
  • Review of “Ross Barrett, Speculative Landscapes: American Art and Real Estate in the Nineteenth Century," in “The Bibliophilist.” Nineteenth Century: The Magazine of the Victorian Society in America 43 (Spring 2023): 38.  
  • “We’re No Angels: Women and allegory in the art of Mary Lizzie Macomber.” Magazine Antiques 179 (November–December 2022), 90–97.
  • “The Greenwich Paintings of John Henry Twachtman.” American Art Review 33 (Fall 2021), 72–79, 143.
  • Review of Frank Duveneck: American Master, ed. Julie Aronson, Panorama: Journal of the Association of Historians of American Art 7 (Spring 2021), https://editions.lib.umn.edu/panorama/article/frank-duveneck-american-master/.
  • “American Impressionism and the Discourse of Connoisseurship,” in American Art Collecting and Connoisseurship (London: Merrell Publishers, 2020), 40–49, 279–80.
  • “The Art of Gershon Benjamin (1899-1985),” American Art Review 20 (November–December, 2008), 134–41, 143.
  • “New Fitz Henry Lane Scholarship in Review: A Rejoinder and Reply,” Association of American Art Historians Newsletter (April 2008), 28–30.
  • “‘Spiritualized Naturalism”: The Tonal-Impressionist Art of J. Alden Weir and John H. Twachtman,” in The Poetic Vision: American Tonalism. New York: Spanierman Gallery, 2005, 73–88.
  • “John Henry Twachtman, Old Orchard, ca. 1880–81,” in The Sewell C. Biggs Collection of American Art. Dover, Del.: Biggs Museum of American Art, 2002, 358–59.
  • “Abraham J. Bogdanove (1886-1946): Monhegan Summers,” in Lisa N. Peters and William H. Gerdts, Abraham J. Bogdanove (1886–1946): Monhegan Summers. New York: Spanierman Gallery, LLC, 2001,. 7–10.
  • “‘An Atmosphere of Youthful Enthusiasm under a Hospitable Sky”: The American Artists’ Colony in Polling, Bavaria, 1872–1881.” American Art Journal 31 (2000), 56–91. (view pdf)
  • “Visions of Home.” American Art Review 9 (July–August 1997), 148–57, 159.
  • “The Suburban Aesthetic: John Twachtman’s White Bridge.” Porticus: Journal of the Memorial Art Gallery of the University of Rochester 17–18 (1994–96), 50–56.
  • “Introduction,” in American Landscapes: A Survey, 1850–1930. Princeton, N.J.: Bristol-Myers Squibb, 1995.
  • “John Twachtman, Pots and Kettles,” in Life Lines: Master American Drawings at the Munson-Williams-Proctor Institute. Utica, N.Y.: Munson-Williams Proctor Institute, 1993.
  • “Twachtman: A ‘Modern’ in Venice,” in Irma Jaffe, ed., Insight and Inspiration II: The Italian Presence in American Art: 1860–1920. New York: Fordham University Press, 1992), 62–81.
  • “Robert Reid,” in Loretta Hoagland et al., Lawrence Park: Bronxville’s Turn-of-the-Century Art Colony. Bronxville, N.Y.: Lawrence Park Hilltop Association, 1992, 186–87.
  • “Images of the Homeless in American Art, 1860–1910,” in On Being Homeless: Historical Perspectives. New York: Museum of the City of New York, 1987.
  • “New York Reviews: White City—Jewish Museum.” Art News 84 (May 1985), 121–22.
  • “Perspectives on Modernism.” Vantage Point 1 (November–December 1984), 42-43.
  • “Rendering Artful Judgments: Review of Stephen E. Weil’s Beauty and the Beasts, On Museums, Art, the Law, and the Market.” American Arts 15 (published by American Council for the Arts) (April 1984), 13.
  • “The Jerome Foundation.” American Arts 15 (March 1984), 25.
  • Barry Flanagan.” Arts Magazine 58 (January 1984), 2.
  • “La Femme: The Influence of Whistler.” Arts Magazine 58 (January 1984), 19.
  • Chuck Close, Cheryl Laemmle, Mark Milloff, Lois Lane.” Arts Magazine 57 (May 1983), 52–53.
  • “Print Workshops USA.” Print Collector’s Newsletter 14 (January–February 1983), 201–6.
  • “Robert Cottingham, Lucy Sallick, Christin Couture,” Arts Magazine 57 (February 1982), 39–40.
  • “Print Clubs in America.” Print Collector’s Newsletter 13 (July–August 1982), 88–90.
  • “Louisa Chase.” Arts Magazine 57 (November 1982), 8.
  • “Italo Scanga.” Arts Magazine 57 (September 1982), 4.
  • “Jay Coogan.” Arts Magazine 56 (June 1982), 9.
  • “Phyllis Bramson.” Arts Magazine 56 (May 1982), 9.
  • “Chase Bank’s Taking on a Museum Role.” Artworkers News (February 1981), 1, 3.